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In Roman Catholic theology, Purgatory is an intermediate state after physical death in which some of those ultimately destined for heaven must first "undergo purification, so as to achieve the holiness necessary to enter the joy of heaven," holding that "certain offenses can be forgiven in this age, but certain others in the age to come." And that entrance into Heaven requires the "remission before God of the temporal punishment due to [venial] sins whose guilt has already been forgiven," for which indulgences may be given which remove "either part or all of the temporal punishment due to sin," such as an "unhealthy attachment" to sin. Only those who die in the state of grace but have not yet fulfilled the temporal punishment due to their sin can be in Purgatory, and therefore no one in Purgatory will remain forever in that state nor go to hell. The notion of Purgatory is associated particularly with the Latin Rite of the Catholic Church (in the Eastern sui juris churches or rites it is a doctrine, though it is not often called "Purgatory", but the "final purification" or the "final theosis"); Anglicans of the Anglo-Catholic tradition generally also hold to the belief. Eastern Orthodox Churches believe in the possibility of a change of situation for the souls of the dead through the prayers of the living and the offering of the Divine Liturgy, and many Orthodox, especially among ascetics, hope and pray for a general apocatastasis. Judaism also believes in the possibility of after-death purification and may even use the word "purgatory" to present its understanding of the meaning of Gehenna. However, the concept of soul "purification" may be explicitly denied in these other faith traditions. The word Purgatory has come to refer also to a wide range of historical and modern conceptions of postmortem suffering short of everlasting damnation, and is used, in a non-specific sense, to mean any place or condition of suffering or torment, especially one that is temporary.
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Raj / Dante Alighieri. - [miejsce nieznane] : Wolne Lektury : Legimi, 2022.
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Książkę polecają Wolne Lektury — najpopularniejsza biblioteka on-line.Dante AlighieriRajtłum. Julian KorsakEpoka: Średniowiecze Rodzaj: Liryka Gatunek: Poemat alegorycznyRaj to lektura szkolna.Ebook Raj zawiera przypisy opracowane specjalnie dla uczennic i uczniów liceum i technikum.
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The Banquet is a work written by Dante Alighieri roughly between 1304 and 1307. This unfinished work of Dante consists of four trattati, or "books": a prefatory one, plus three books that each include a canzone (long lyrical poem) and a prose allegorical interpretation or commentary of the poem that goes off in multiple thematic directions. The Banquet is a major stage of development for Dante, very different from the visionary world of the Vita nuova (although like the earlier work it too is a medium for the author's evolving sense of artistic vocation and philosophical-spiritual quest). This difference is reflected in how the two works use the prosimetrum format: in the Vita Nova there is a complex interrelation and intertwining between the prose and the poetry, while in the Banquet large blocks of prose have an autonomous existence apart from the poems; the content of the poetry is not amplified or edited in the prose so much as commented upon prosaically, to serve as points of departure for the various subjects that the Banquet discusses. Dante himself tells us that the prose of the Banquet is "temperate and virile," in contrast to the "fervid and passionate" prose of the Vita Nova; and that while the approach to this in the work of his youth was "like dreaming" the Banquet approaches it subjects soberly and wide awake, often modeling its style on Scholastic authors. The Banquet is a kind of vernacular encyclopedia of the knowledge of Dante's time; it touches on many areas of learning, not only philosophy but also politics, linguistics, science, and history. The treatise begins with the prefatory book, or proem, which explains why a book like the Banquet is needed and why Dante is writing it in the vernacular instead of Latin. It is one of Dante's early defenses of the vernacular, expressed in greater detail in his (slightly earlier) linguistic treatise De vulgari eloquentia (On Eloquence in the Vernacular).
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The Divine Comedy (Italian: Divina Commedia [diˈviːna komˈmɛːdja]) is an epic poem by Dante Alighieri, begun c. 1308 and completed 1320, a year before his death in 1321. It is widely considered the preeminent work of Italian literature. and is seen as one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso
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This is the extended edition including an extensive primer on the author's life and works, as well as a detailed essay about the history of the Longfellow translation. The "Divina Commedia" is an allegory of human life, in the form of a vision of the world beyond the grave, written avowedly with the object of converting a corrupt society to righteousness: "to remove those living in this life from the state of misery, and lead them to the state of felicity". It is composed of a hundred cantos, written in the measure known as terza rima, with its normally hendecasyllabic lines and closely linked rhymes, which Dante so modified from the popular poetry of his day that it may be regarded as his own invention. He is relating, nearly twenty years after the event, a vision which was granted to him (for his own salvation when leading a sinful life) during the year of jubilee, 1300, in which for seven days (beginning on the morning of Good Friday) he passed through hell, purgatory, and paradise, spoke with the souls in each realm, and heard what the Providence of God had in store for himself and to world.
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The Divine Comedy is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The narrative describes Dante's travels through Hell, Purgatory, and Paradise or Heaven, while allegorically the poem represents the soul's journey towards God. Dante draws on medieval Christian theology and philosophy where the poet Virgil is presented as human reason and Beatrice is presented as divine knowledge. Thus, this edition brings to you the annotated translation of the Divine Comedy by Henry Francis Cary for a pleasant enjoyment of the world's greatest classic.
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Dante Alighieri's 'The Divine Comedy' is a literary masterpiece that follows the poet's journey through Hell, Purgatory, and Paradise. Written in the early 14th century, this epic poem is considered a seminal work of Italian literature and a defining piece of the medieval period. The vivid descriptions of each realm, intricate use of symbolism, and moral undertones make this work a complex and rich exploration of the afterlife. Alighieri's use of terza rima adds a musical quality to the text, enhancing its poetic beauty and making it a compelling read for those interested in allegorical storytelling and theological themes.
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This first volume of Robert Durling's new translation of The Divine Comedy brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and humor. Remarkably true to both the letter and spirit of this central work of Western literature, Durling's is a prose translation (the first to appear in twenty-five years), and is thus free of the exigencies of meter and rhyme that hamper recent verse translations. As Durling notes, "the closely literal style is a conscious effort to convey in part the nature of Dante's Italian, notoriously craggy and difficult even for Italians." Rigorously accurate as to meaning, it is both clear and supple, while preserving to an unparalleled degree the order and emphases of Dante's complex syntax.The Durling-Martinez Inferno is also user-friendly. The Italian text, newly edited, is printed on each verso page; the English mirrors it in such a way that readers can easily find themselves in relation to the original terza rima. Designed with the first-time reader of Dante in mind, the volume includes comprehensive notes and textual commentary by Martinez and Durling: both are life-long students of Dante and other medieval writers (their Purgatorio and Paradiso will appear next year). Their introduction is a small masterpiece of its kind in presenting lucidly and concisely the historical and conceptual background of the poem. Sixteen short essays are provided that offer new inquiry into such topics as the autobiographical nature of the poem, Dante's views on homosexuality, and the recurrent, problematic body analogy (Hell has a structure parallel to that of the human body). The extensive notes, containing much new material, explain the historical, literary, and doctrinal references, present what is known about the damned souls Dante meets --from the lovers who spend eternity in the whirlwind of their passion, to Count Ugolino, who perpetually gnaws at his enemy's skull--disentangle the vexed party politics of Guelfs and Ghibellines, illuminate difficult and disputed passages, and shed light on some of Dante's unresolved conflicts.
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Dante Alighieri's 'The Divine Comedy (Complete Annotated Edition)' is a monumental work of Italian literature that combines epic poetry with profound theological exploration. Written in the early 14th century, this three-part narrative chronicles Dante's journey through the realms of Hell, Purgatory, and Paradise, guided by the poet Virgil and his beloved Beatrice. The poem is known for its intricate allegorical structure, rich symbolism, and vivid imagery, making it a masterpiece of medieval literature. The detailed annotations in this edition provide valuable insights into the historical, philosophical, and theological contexts of Dante's work, making it an essential companion for readers seeking a deeper understanding of the text. Dante Alighieri, a prominent Italian poet and philosopher, drew heavily from his own political exile and personal struggles to create 'The Divine Comedy.' His profound faith and intricate knowledge of classical literature and Christian theology are evident throughout the poem, reflecting his deep intellectual curiosity and spiritual inquiry. Alighieri's enduring legacy as a literary giant continues to inspire scholars and readers alike, cementing his reputation as one of the greatest poets of the Middle Ages. I highly recommend 'The Divine Comedy (Complete Annotated Edition)' to anyone interested in exploring the intersection of theology, philosophy, and literature. Dante's vivid imagination and intricate symbolism offer a compelling journey through the human soul and the afterlife, making this annotated edition an indispensable resource for readers looking to delve deeper into the complexities of this iconic work.
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Dante Alighieri's 'The Divine Comedy' is a masterpiece of Italian literature, written in the early 14th century. This illustrated edition provides readers with a visually enhanced experience of Dante's journey through hell, purgatory, and heaven. The vivid depictions accompanying the text add a new dimension to the poetic and allegorical narrative, making it even more engaging for readers. Alighieri's use of symbolism and allegory in depicting the afterlife remains a significant contribution to Western literature, influencing countless works in the centuries that followed. The epic poem serves as a reflection on moral and religious issues, blending theological teachings with imaginative storytelling. The poetic language and intricate structure of 'The Divine Comedy' make it a challenging but rewarding read for those interested in exploring philosophical and theological themes in literature.
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Begin a journey like no other with the legendary eBook, "The Divine Comedy: Dante's Masterpiece - A Journey Through the Afterlife". Traverse through Hell, Purgatory, and Paradise in this timeless epic, teeming with vivid imagery and profound insight. Penned by Dante Alighieri, this unparalleled work of art has resonated with readers for centuries, offering a captivating exploration of life, death, sin, virtue, and divine justice. 'The Divine Comedy' isn't simply a poem; it's a compelling journey into the realms of the afterlife that illuminates the human condition. "A breathtaking exploration of the afterlife and the human soul." - (Prominent Reviewer's Name) In this enduring masterpiece, you will: - Embark on an epic adventure with Dante and his guide, the ancient Roman poet Virgil. - Experience Dante's vision of Hell (Inferno), Purgatory (Purgatorio), and Heaven (Paradiso). - Uncover timeless wisdom and theological insight that transcends the ages.Millions have journeyed with Dante through the afterlife. Now, it's your turn. Begin the extraordinary journey today. Download "The Divine Comedy: Dante's Masterpiece - A Journey Through the Afterlife" and step into a realm of profound wisdom and unparalleled imagination. Click "Buy Now" to start your journey.
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Step into the enchanting realms of Dante Alighieri's "The Divine Comedy," a transcendent journey through the cosmos that promises to evoke joy, surprise, and unparalleled comfort. This timeless epic invites you to explore the depths of the human spirit in a way that captivates the soul. Experience the divine revelation as Dante navigates through Hell, Purgatory, and Paradise. Alighieri's masterful storytelling weaves a tapestry of emotions, offering moments of joy, surprising revelations, and the comforting assurance of redemption. Our thoughtfully curated edition delves into the profound allegory, unraveling the complexities of human existence and the quest for spiritual enlightenment. Immerse yourself in the divine narrative, where each canto unfolds with breathtaking beauty and intellectual depth. Join the community of readers and scholars who have lauded the brilliance of Dante's vision. Our edition of "The Divine Comedy" has earned praise for its commitment to preserving the essence of this monumental work, making it a cherished addition to any literary collection. Bring the divine into your reading experience. Order now to add this extraordinary masterpiece to your collection and embark on a celestial odyssey that promises joy, surprise, and the ultimate comfort of redemption.
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Inferno (Italian: [iɱˈfɛrno]; Italian for "Hell") is the first part of Italian writer Dante Alighieri's 14th-century epic poem Divine Comedy. It is followed by Purgatorio and Paradiso. The Inferno tells the journey of Dante through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin. An initial canto, serving as an introduction to the poem and generally considered to be part of the first cantica, brings the total number of cantos to 100.
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Dante Alighieri's 'The Divine Comedy: Inferno, Purgatorio & Paradiso' is a masterpiece of Italian literature, written in the early 14th century. This epic poem follows the journey of the protagonist, Dante himself, through Hell, Purgatory, and ultimately, Heaven. The vivid descriptions of sinners' punishments in Hell, the cleansing process in Purgatory, and the celestial realms of Paradise provide a rich tapestry of moral and theological exploration. Alighieri's use of terza rima, a three-line stanza form, adds to the musicality and flow of the text, enhancing the reader's experience of the narrative journey. Historical and biblical references are woven into the fabric of the poem, showcasing Alighieri's deep knowledge and understanding of theology and philosophy. This work remains a timeless classic, influencing countless writers and thinkers throughout the centuries.
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Dante Alighieri's epic masterpiece, 'The Divine Comedy: Inferno, Purgatorio & Paradiso,' is a monumental work that explores the author's journey through Hell, Purgatory, and Heaven. Written in the early 14th century, this allegorical poem is considered one of the greatest works of world literature. The three parts of the book offer a vivid depiction of the afterlife, filled with complex allegories, rich symbolism, and moral lessons. Dante's vivid descriptions and powerful imagery bring the spiritual journey to life, inviting readers to contemplate the nature of sin, redemption, and the human soul. The book is a masterpiece of medieval poetry, blending theology, philosophy, and poetic imagination in a captivating narrative. Dante Alighieri, a prominent Italian poet and philosopher, wrote 'The Divine Comedy' during a period of political turmoil and personal exile. Influenced by his own life experiences and theological beliefs, Dante created a work that reflects his deep understanding of medieval theology and philosophy. His exploration of the afterlife serves as a powerful reflection on the human condition and the nature of salvation. I highly recommend 'The Divine Comedy' to readers interested in classic literature, theology, philosophy, and poetry. Dante's timeless work offers profound insights into the complexities of faith, sin, and redemption, making it a must-read for anyone seeking a deeper understanding of the human experience.
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The Divine Comedy (Italian: Divina Commedia [diˈviːna komˈmɛːdja]) is a long Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written (also in most present-day Italian-market editions), as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso. The narrative takes as its literal subject the state of souls after death and presents an image of divine justice meted out as due punishment or reward, and describes Dante's travels through Hell, Purgatory, and Paradise or Heaven, while allegorically the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Roman Catholic theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". In Dante's work, the pilgrim Dante is accompanied by three guides:Virgil (who represents human reason), Beatrice (who represents divine revelation, theology, faith, and grace), and Saint Bernard of Clairvaux (who represents contemplative mysticism and devotion to Mary).
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Hell The Divine Comedy (Italian: La Commedia, later La Divina Commedia) is a poem by Dante Alighieri, begun c. 1308 and completed in 1320, that gives the widest synthesis of medieval culture and world ontology. It is a real medieval encyclopedia of scientific, political, philosophical, moral and religious knowledges. It is considered to be the preeminent work in Italian and world literature. The Comedy is a result work of the whole second part of Dante’s life; it is his last and most mature creation. The poet’s view of the world is delivered in this work to the fullest extent. Dante acts here as the last great medieval poet; the poet who continues to develop medieval literature. Hell is represented in a form of a huge tunnel, consisting of concentric circles, which narrowing end approaches the centre of the earth. After going through the Hell’s threshold, where the souls of weak and vain people dwell, they enter the first Circle, Limbo that contains the souls of virtuous pagans who did not learn true belief but nearly approached it, so they were put out of hellfire. Dante watches here such representatives of Antic culture as Aristotle, Euripides, Homer etc. The Hell’s “antiquity” is inducted to underline that Antic culture is not signed by Christ, it is pagan and, as a result, it is not sinful.
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Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God. While the structures of the Inferno and Purgatorio were based around different classifications of sin, the structure of the Paradiso is based on the four cardinal virtues (Prudence, Justice, Temperance, and Fortitude) and the three theological virtues (Faith, Hope, and Charity).
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Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide. Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth (associated with the seven deadly sins), and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life. In describing the climb Dante discusses the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the Church. The poem outlines a theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
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Forma i typ
A unique poetic work, about which historians and critics, philosophers and even adherents of various mystical and esoteric teachings are desperately arguing about. Hell is a colossal funnel of concentric circles, the tapering end of which is adjacent to the center of the earth. Having passed the threshold of hell, in which the souls of indecisive, insignificant people dwell, they enter the first circle of hell – the limb. In the earthly paradise, Dante meets Beatrice, seated on a chariot drawn by a vulture.
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